I’m an artist–curator, museologist, and storyteller (film & stage) working at the intersection of collections, institutions, and public meaning. I advise collectors and cultural organizations on strategy, acquisitions thinking, interpretation, and long-horizon planning—where coherence and ethics matter as much as taste.

My work moves between studio practice and institutional life: exhibitions, research, writing, and platform-building that treats culture as something we steward—not simply display. I’m interested in how meaning is constructed: what gets framed, what gets preserved, and what a visitor carries from one room—or one scene—to the next.

I founded MuseumViews (2003–present) and International Museum Professionals Day (IMPD, est. 2014), initiatives that created sustained dialogue and an international network across the museum field. My training spans Oxford (M.Phil, D.Phil – History of Art & Collecting), the Courtauld Institute (M.St. History of Collecting), Harvard (CMS – Museology), and theater training at Stella Adler—because attention is a medium, and narrative is a form of care.

My focus is on:

• Curatorial advisory for private collections, foundations, and institutions

• Collection strategy and acquisitions thinking

• Interpretation and exhibitions: thesis → structure → sequence

• Stage & screen storytelling with a curatorial sense of stakes

If you’re building a collection with a long view, I’m always interested in the thinking behind it.

For advisory work, see Curatorial Advisory—or start a conversation.